San Francisco Playhouse does it again—delivering a lively, hand-clapping satire that draws big laughs while shedding light on contemporary issues.
James Ijames’s “Fat Ham,” under the direction of award-winning Margo Hall, reimagines “Hamlet” with an inventive and uproarious twist. Set in the South (Scenic Designer Nina Ball), a Black family gathers for a joyous wedding-day barbecue.
Juicy (Devin A. Cunningham), and his frenetic best friend, Tio (Jordon Covington), are busy decorating when Juicy’s nasty Uncle Rev (Ron Chapman) arrives. Fresh from marrying his mother, the flamboyant, party-loving Tedra (vibrant Jenn Stephens). The drama soon thickens in true soap-opera fashion when Juicy’s father’s ghost—an enraged Pap (also played by the impressive Chapman)—appears, accusing Rev of murder and demanding Juicy avenge his death.
But Juicy, a tender-hearted young man dreams of a career in Human Resources. He has no interest in inheriting the family barbecue business that struggles with their family’s legacy of violence. Both Pap and Rev equate strength with brutality, yet Juicy longs to break the cycle. As Pap taunts him, “You’re too soft to die young.”
Devin A. Cunningham (Juicy), Ron Chapman (Pap)
Under Margo Hall’s direction, “Fat Ham” spotlights Ijames’s exceptional ability to balance trauma with humor. Juicy’s traumatic experiences—including being a gay, Southern, Black man born into a Shakespearean-like family—transforms nicely into hilarity.
Cunningham’s subtle performance captures Juicy’s fear, exasperation, and self-doubt, making him a compelling hero. Also, malevolent Chapman, as both the vengeful Pap and the cruel Rev, delivers thrilling performances, simmering with hostility.
Covington’s Tio, Juicy’s perpetually high and hilariously insightful friend, adds levity with his agile movement around the stage and his quick-witted remarks.
After the argumentative newlyweds confirm their marital bliss, there is a notable shift. The play veers off track from Shakespeare’s blueprint. The traumatic family history of abuse and murder morphs into a “coming out” of the characters’ true, softer selves.
Phaedra Tillery-Boughton (Rabby), Jenn Stephens (Tedra), Devin A. Cunningham (Juicy), Samuel Ademola (Larry), Courtney Gabrielle Williams (Opel)
Then, the rest of the family arrives, each bringing their own conflicts: Opel (Courtney Gabrielle Williams), a striking young gay woman determined to open a shooting range; ex-military Larry (charming Samuel Ademola), struggles with his sexual identity; and loud, loving Rabby (Phaedra Tillery-Boughton), the family’s self-appointed preacher.
A standout moment features Tedra’s energetic dance to Taylor Dayne’s Tell It to My Heart, followed by Juicy’s raw, self-effacing performance of Radiohead’s Creep—building musical momentum that incites the audience.
By the final act, the play erupts into a vibrant, music-filled celebration of authenticity. Ray Archie’s dynamic musical direction, combined with the cast’s infectious energy, brings the audience to its feet in rousing applause.
SF Playhouse’s “Fat Ham” under Margot Hall’s perceptive eye, transforms Ijames’ “Hamlet” tragedy into a exhilarating celebration of rebirth. We are constantly reminded that embracing one’s true self is vital. Moreover, it reminds us that no one should ever have to sacrifice their true self to earn their family’s love.
Come and see this unique and vibrant production, and let the energy transform you.
“Fat Ham” by James Ijames, directed by Margo Hall, scenic design by Nina Ball, costumes by Lee Garber-Patel, lighting by Stephanie Johnson, at San Francisco Playhouse. Info: SFPlayhouse.org – to April 19, 2025.
Cast: Samuel Ademola, Ron Chapman, Jordan Covington, Devin A. Cunningham, Jenn Stephens, Phaedra Tillery-Boughton, and Courtney Gabrielle Williams.
Photos: Jessica Palopoli